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本文以新的视角剖析了德里罗的两个短篇小说。作者指出德里罗关注历史、关注政治、关注人类的命运。他善于在短篇小说里用后现代主义表现手法语义场如“同化”和“感觉”等方面来构建文本 ,表现人物形象的不确定性、叙述的模糊性和间断性 ;叙事话语充满暗示感官功能的词汇 ,句子残缺不全 ,妙用句子和短语的“重复” ,颠覆语境的稳定性 ;同时有的段落采用电影脚本的写法 ,促进文学符号大幅度跳跃 ,加快叙事节奏 ,在科幻的梦境里夹杂着反讽和幽默 ,流露对希腊人民和受天灾和战争折磨的所有平民百姓的同情 ,不愧为上乘之作。
This article analyzes Freerillo’s two short stories from a new perspective. The author points out that Delilo pays attention to history, politics and attention to the fate of mankind. He is good at building the text in the short stories such as “Assimilation” and “Feeling” through postmodernist expression of the tactics and semantic field, showing the uncertainty of the characters and the fuzziness and discontinuity of the narration; the narrative discourse is full of suggestive sensory functions Of the words, incomplete sentences, magical sentences and phrases “subversion” to subvert the stability of the context; at the same time some of the paragraphs using the script of the movie written to promote the dramatic jump in literary symbols to speed up the narrative rhythm, inclusion in the dream of science fiction Irony and humor, revealing the sympathy of the Greek people and all the civilian population afflicted by natural disasters and wars, deserve to be superior.