李渔(1611—1679),字笠翁,是明末清初著名的戏剧理论家,同时又是戏剧创作和导演的实践家。他晚年写成的《闲情偶寄》等著作,全面系统地论述了戏剧创作、演出各个方面的问题。全书结构严谨,气度恢宏,始如抽丝剥茧,终至意绪幽远。由于李渔谙悉编剧技巧,熟知剧场关节,精通戏剧法则,了然观众心理,所以在《闲情偶寄》里提出了一些常人无 Li Yu (1611-1679), the word Weng Weng, is a well-known theater theorist in the late Ming and early Qing dynasties, and is also a practitioner of theater creation and director. In his later years, he wrote the book “Leisure Feelings to Couple” and other issues comprehensively and systematically discussed the various aspects of drama creation and performance. The book is structured, magnanimous, beginning as exudes cocoon, finally fantastic. As Li Yu familiar with screenwriter skills, familiar with the theater joints, mastery of theater rules, the audience psychology, so in the “Leisure Feeling sent to” put forward some ordinary people