笔者曾在《你好,中国山水!》一文中指陈了当代中国山水画的“缺人症”、并曾得到一些论者的反对。事实上、尚辉先生的《从笔墨个性走向图式个性》这篇大文就比较含蓄地指出了当代绘画价值取向中的严重病症——中国山水画由崇尚笔墨个性所缺失的人文关怀。从这种价值意义来说。山水画家沈从斌绘画所阐释的义理就是笔者必须为他进行“考据”所动容的直接原。沈从斌为明四家之一沈周后裔,毕业于北京画院研修班,主攻山水,兼擅花鸟、人物,在画理的探索上,他曾问道于陆俨少、谢稚柳、应野平诸师辈,无论是在通广大还是致精微的绘画理法上他都获得很多教益。沈从斌为人谦和厚道,好交 The author once pointed out the “deficiency syndrome” of contemporary Chinese landscape painting in his article “Hello, Chinese Landscape!” And won the objections of some commentators. In fact, Mr. Shang Hui’s large article, “From Pen and Ink Personality to Schema Personality”, implicitly points out the serious illness in the value orientation of contemporary painting - the humanistic concern of Chinese landscape painting, which is lack of respect for the individuality of brush and ink. In this sense of value. The explanation of the painting by landscape painter Shen Congbin is the direct original that the author must move for his “test”. Shen Congbin is one of the four Ming Dynasty descendants of Shen Zhou, graduated from the Beijing Art Academy seminar, the main landscape, and good flowers and birds, figures, in the exploration of painting, he asked Lu Yanshao, Xie Zhi Liu, should be wild teachers, He has learned a lot from both general and subtle approaches to painting. Shen Congbin modest kindness, good pay