区别于传统阅读理论,后现代文学批评家罗兰?巴特认为:作品完成之际,作者就已经死亡,所有阅读活动,都是读者心灵与写定文本的对话。就此意义来讲,解读本文关注的建筑作品——舟宿夜江也存在同样的问题,根据个人的体验,它可以被拆解为一千种方式,对建筑的阅读过程,仅仅是作为一种“误读”。 Different from the traditional reading theory, the postmodern literary critic Roland Barthes argues that when the work is finished, the author dies and all reading activities are the dialogue between the reader’s mind and writing the text. In this sense, the interpretation of the architectural works of concern to this article - the same issue with the night-boat in the Yangtze River, can be disassembled into a thousand ways, based on personal experience, and the reading of architecture is merely a “Misread ”.