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山水画乃中国传统绘画之大宗。中国文化自身决定了山水画的重要位置。在当今中国画格局中,山水画仍举足轻重。当代山水画向何处发展,是人们密切关注的问题。我们欣喜地看到,八十高龄的张仃先生,晚年执着于山水画创作,其焦墨山水的探索,为山水画的发展开辟了一条新路。针对山水画当前的创作现状,本刊主编邓福星、副主编翟墨与部分山水画家在’96山水画研讨会上进行了严肃地探讨,发表了中肯的意见。 三十八岁的姚鸣京淡于名利,多年来注重修身养性练笔造境,寻找传统艺术走向当代的新途径。正如卢沉所评,姚鸣京的山水画从构成到造境上都别开生面,可贵之处在于虽执教于美术学院,却没有学院派之弊病。我们将其推为本期名家,是为正在进行探索的青年画家们提供参照。在艺术心路和艺术品评栏目中,读者既可以从李儒光、解永钧,胡中良等中年山水画家的作品中体验到他们的紧迫感和多种思考,品味他们的不同风格,又可以从杜剑君、马天戈等青年画家作品里看到他们对传统的新认识和艺术语汇的锤炼。
Landscape painting is the traditional Chinese painting of the bulk. Chinese culture itself determines the important position of landscape painting. In today’s Chinese painting landscape, landscape painting is still decisive. Where is the development of contemporary landscape paintings, people pay close attention to the problem. We are delighted to see that 80-year-old Mr. Zhang Ding was dedicated to the creation of landscape paintings in his later years. The exploration of his coral ink landscape opened up a new path for the development of landscape paintings. In response to the current state of landscape painting, Deng Fuxing, editor-in-chief of the journal, and Zhai Mo, an associate editor, conducted serious discussions with some landscape painters at the Symposium on Landscape Painting in 1996 and delivered pertinent views. Thirty-eight-year-old Yao Mingjing fame and fortune over the years focus on cultivating their own habits, to find a new way to the contemporary art of traditional. As Lu Shen commented, Yao Mingjing’s landscape painting from the composition to create a unique environment, the valuable point is that although taught at the Academy of Fine Arts, there is no academic shortcomings. We push it to be a famous contemporary artist and provide a reference for the young painters who are exploring. In the artistic mind and art criticism column, readers can experience their sense of urgency and thinking from the works of middle-aged landscape painters such as Li Ru Guang, Xie Yongjun and Hu Zhongliang, taste their different styles, and can also learn from Du Jianjun, Ge and other young artists to see them in the traditional new understanding and artistic vocabulary training.