宋代琴论中的“无弦”琴乐审美观念是宋代音乐美学中的一种独具特色的思维存在。本文首先对“无弦”琴乐审美观念的内涵进行了说明和界定,进而从“无弦”琴乐审美观念的追根溯源、宋代“无弦”琴乐审美观念的分析阐释、两个方面展开论述,对宋代琴论中的“无弦”琴乐审美观念进行了研究。 The aesthetic feeling of Qin music in Song dynasty piano theory is a kind of unique thinking existence in the music aesthetics of Song Dynasty. This article first explains and defines the connotation of aesthetic sense of piano without music and then analyzes the esthetic meaning of piano music and the esthetic meaning of piano music in Song Dynasty without strings. Interpretation, two aspects of the discussion, on the piano in the Song Dynasty “no strings ” music aesthetic ideas were studied.