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１９２６年林风眠自欧洲归国执掌北京艺专（中央美术学院前身），３月到 任后不久即发生三一八惨案。本文通过对北京艺专三位同学在北洋政府统治时期 殉难经过的繁复考证，力求对林风眠自归国至离京的全过程进行历史性复位，为他 在北京未尝实现艺术抱负和精神独立之真实原由提供一定的时空依据，并对中国 现代史上一段重要时期的社会、政治、思想和艺术，完成提示性的勾画和分析。
In 1926, Lin Fengmian returned from Europe to run the art school in Beijing (the predecessor of the Central Academy of Fine Arts), and the March 18th massacre took place shortly after assuming office in March. Through the cursory research on the martyrdom of three Beijing Arts students during the reign of the Beiyang government, this paper attempts to make a historic reset of Lin Fengmian from the time of his return to Beijing to leave Beijing. This essay tries his best to find out the truthfulness of his artistic aspiration and spiritual independence in Beijing The reason provides a certain space-time basis and completes the suggestive outline and analysis of the social, political, ideological and artistic aspects in an important period in the modern history of China.