《失街亭、空城计、斩马谡》(简祢《失、空、斩》)是谭鑫培的名剧。自谭以后的各期名老生多以谭派标榜上演此剧。因此唱腔、念白、身段基本上都按谭派的路子演,虽然以后的前四大须生余、高、言、马,或后四大须生马、谭、奚、杨,在演出这个戏时风格各异,但万变未离其宗。我从13岁起就开始学演这出戏,至今仍时有演出,也就是说我在舞台上已和诸葛亮这个艺术形象交往了半个世纪。 “Lost street kiosks, empty city meter, cut stirrup” (Jane “lost, empty, cut”) is Tan Xinpei’s famous play. Tan from the various periods after the older students to Tan faction advertised staged this drama. Therefore, the singing, read the white, the body basically according to the Tan school road show, although after the top four students need to remain Yu, Gao, Yan, Ma, or after the four major students, Tan, Xi, Yang, in this performance Different styles, but the ever-changing. Since I was 13 years old, I started to play this drama, and I still have performances. That is to say, I have been interacting with this artistic image of Zhu Geliang on the stage for half a century.