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人们忙碌工作,追逐梦想,耽于情爱痴缠,困于命运苦厄,再多人生的惊涛骇浪,日子还是要一天天地度过,那么人如何与自己相处,如何面对每天的日常?在探讨宇宙与存在,悲天悯人的第三张专辑《渺小》之后,田馥甄的第四张专辑《日常》尝试对此作出解答。以一个极具人间烟火气的名字,搭配多变的唱腔、丰富的编曲形式,向歌迷传达自己回归平淡生活,基于歌手和独身女性的人生感悟。这张专辑几乎彻底摒弃了容易打榜、获得流行度的口水情歌,转而专注小众文
People busy working, chasing dreams, indulge in love and entanglement, trapped in the fate of martyred, more life in the stormy sea, days or to spend day by day, then how people get along with themselves, how to deal with everyday everyday? Cosmos and the existence, compassionate third album “insignificant”, Tian He Zhen’s fourth album “daily” to try to answer this. With a very human atmosphere of smoke and gas, with changing aria, rich arranger form, to convey to the fans return to ordinary life, based on singer and single woman’s life perception. Almost completely discarded this album is easy to hit the chart, access to popular saliva songs, and instead focus on small public essay