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随着当代艺术的崛起,“挪用”开始被纳入创作理论的范畴。本文意图通过廓清“挪用”在艺术领域的含义,为“挪用”在艺术创作的坐标中寻找准确的定位,对“挪用”借鉴到当代影像创作领域之后中的手法展开分析,通过哲学的维度中进一步探讨“挪用”的意义。挖掘当代影像艺术创作频繁使用“挪用”的根源,剖析该手法对影像创作的影响,结合经典创作案例解读“挪用”对中国当代语境下的影像艺术创作的影响。
With the rise of contemporary art, “embezzlement ” began to be included in the category of creative theory. This paper intends to find out the exact position in the coordinate of artistic creation for the purpose of “embezzlement” by clarifying the meaning of “appropriation ” in the field of art and analyze the method of “embezzlement ” after referring to the field of contemporary image creation , Through philosophical dimensions to further explore “embezzlement ” significance. Excavating the root causes of the frequent use of “image misappropriation” in contemporary video art creation, analyzing the influence of the technique on image creation, and combining with the classic case creation to interpret the influence of “misappropriation” on the image art creation in the contemporary Chinese context.