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绘画作为一门造型艺术,它最早出现在人类文明发展的历史长河当中。人类的祖先在没有发明文字之前就用绘画形式记载他们的活动及生活,这种艺术形式以其独有的文化内涵和视觉艺术魅力逐步脱离起初的实用功能得以传承和发展。当我们纵观中西方所有的优秀绘画艺术作品,这些作品呈现给我们的是完美形态,这种完美是艺术家在创作过程中把诸多造型因素的辩证关系有机结合的结晶。一、客观与主观的辩证关系绘画作为造型艺术的形成,就是画家
As a kind of plastic arts, painting first appeared in the long history of the development of human civilization. Human ancestors recorded their activities and lives in the form of paintings before they invented the text. This art form, with its unique cultural connotation and visual artistic charm, gradually inherited and developed from its original practical function. When we look at all the outstanding works of art in both China and the West, these works are presented to us in perfect form. This kind of perfection is the crystallization of the organic combination of the various dialectical relationships between the artist and the artist in the process of creation. First, the objective and subjective dialectical relationship between painting as a form of art is the artist