成都——四川美术在20世纪中国美术史上占有重要的地位,成都美术的现代化进程与中国美术的历史境遇是完全同步的,中国现代美术变革的浪潮在成都画坛上都激起强烈的反响,在我们刚跨入新世纪的今天,回眸成都美术的世纪历程,总结其特点,对于建构成都新世纪美术的大厦有着重要的意义和价值。 一、关于20世纪成都画坛的评价 成都——四川在许多个历史时期,都是文化艺术最为发达的地区之一,出现了许多在画史上有重要影响的美术家。三星堆青铜器、汉代画像砖与雕刻、唐宋的石窟与绘画艺术,都在中国艺术史上有重要的地位。特别是唐末五代大批中原艺术入川与本土艺术家的分流,西 Chengdu - Sichuan Fine Art occupies an important position in the history of Chinese art in the 20th century. The process of the modernization of Chengdu Fine Arts is completely synchronized with the historical situation of Chinese fine arts. The wave of changes in the Chinese modern art has aroused strong repercussions in the Chengdu painting circles. Nowadays, we have just entered the new century and reviewed the century course of Chengdu Fine Arts. Summarizing its characteristics, it is of great significance and value to the building of Chengdu New Century Fine Arts. First, on the 20th century, Chengdu, painting evaluation Chengdu - Sichuan in many historical periods, are the most developed areas of culture and art, there have been many in the history of painting have a significant impact on the artist. Sanxingdui bronze, the Han Dynasty portrait brick and sculpture, the Tang and Song caves and painting art, both in the history of Chinese art has an important position. In particular, the late Tang and the Five Dynasties, a large number of Central Plains art into Sichuan and local artists diversion, West