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传统认识论美学仅注重“结果” ,并将“美是什么”的解释实体化、可见化 ,从而不能真正接触到“美” ;现代存在主义美学又将“美”作“可能性”和“不可见性”的解释 ,从而忽略了我们是凭借什么来把握“美” ,这样也就不可能将“美”的不可说性与“美的符号”的可说性阐释清楚。否定主义美学认为 :美是本体性否定的未完成 ;美是一种未占有的、未完成的、尚未成为“共在”的存在。对否定者而言 ,“未完成”是指否定结果尚未诞生时的一种情境、一种境态。在这种境态下 ,“美”是以一种孕育着的、还未视觉化的状态被否定者所想往、所追求、所体验着的。“未完成”在哲学意义上是一种有缺憾的状态 ,但在美学意义上却是一种让人沉醉的状态。对“本体性否定”而言 ,美学是源 ,哲学是流 ,美学内在于哲学并且是哲学的根。只有“本体性否定”意义上的“美” ,才能使我们每个人“成为真正个体”的审美冲动。“美”的特性在这里 ,“美的意义”也在这里。在“本体性否定”意义上 ,“美”不可说而“美的属性”可说 ;“美”作为存在的潜在具有“未占有性”和“混然性” ;“美”在“美的符号”前后 ,体现为本体性否定的“未完成”
The traditional epistemological aesthetics only focuses on the “result”, and the entity of the “beauty is what” explanation is materialized and visible, so that the “beauty” can not be really touched. The modern existentialist aesthetics turns “beauty” into “possibility” and “ Visibility ”, thus ignoring the fact that we grasp the“ beauty ”by virtue of what we are doing. In this way, we can not clearly explain the unspeakability of“ beauty ”and the“ beauty symbol ”. Negativeist aesthetics holds that beauty is an unfinished part of the denial of the noumenon; beauty is an unoccupied and unfinished existence that has not yet become “commonalities.” For the negator, “unfinished” refers to a situation when the negative result has not yet been born, a state. Under such a state, “beauty” is experiencing and being pursued and experienced by a neglected person in an ingenious and unskilled state. “Incomplete” is a state of imperfectness in the philosophical sense, but in the aesthetic sense it is an intoxicating state. For “noumenal negation,” aesthetics is the source, philosophy is flow, aesthetics is inherent in philosophy and is the root of philosophy. Only the “beauty” in the sense of “the denial of the noumenon” can make every one of us become the aesthetic impulse of the true individual. The beauty of “beauty” here, “the meaning of beauty” is here. In the sense of “denial of noumenon”, “beauty” can not be said and “beauty of property” can be said; “beauty” as a potential existence has “unoccupied” and “mixed nature”; “beauty” Before and after, reflected in the denial of the “unfinished”