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金农,字寿门,清代扬州八怪起首画家之一。他的绘画风格奇特怪诞,以其变形性、抽象性、隐喻性及似与不似给近现代画坛以巨大影响。自金农的书画问世以来,对其书法的论述多,对其绘画的论述少。拙稿从禅宗的经典《坛经》入手,抽绎出主要观点,借以剖析金农的生平、处世态度、绘画风格,揭示其美学思想和禅宗哲学的内在联系。不当之处祈请海内外方家批评指正。
Jinnong, the word Shoumen, Yangzhou eight strange pioneers of the painter. His painting style is peculiarly weird, with its transmutation, abstraction, metaphoricality, and similarities and dissimilarities, which have a huge influence on the modern painting circles. Since the advent of Jinnong’s calligraphy and painting, there have been many discussions of his calligraphy and few of his paintings. From the classic “altar scripture” of Zen, Zhuo draft deduces the main points of view to analyze Jinnong’s life, attitude toward his life and style of painting, revealing the intrinsic relationship between his aesthetic thoughts and Zen philosophy. Pray for criticism at home and abroad.