内檐装修及家具陈设的设计和制作一向被认为明清建筑艺术的重大成就之一。但在既往研究中,与设计相关的古代图像资源鲜有发现和利用,而对其创作方法,尤其是其创作主体即设计师也一直未能展开系统研究。随着样式雷世家及建筑图档研究的逐步深入,上述学术缺环或盲点都已有望迅速得到根本性突破。事实上,自清初雷发达以艺应募赴京,样式雷世家先后八代传人赓续参役清代皇家建筑工程,长期供职并董领楠木作及样式房,他们既是卓尔不凡的建筑师,同时也是相关装修陈设方面技艺精湛高超的设计师和承造者。 Inner eaves decoration and furnishings design and production has always been considered one of the major achievements of architectural art in the Ming and Qing dynasties. However, in the previous studies, the ancient image resources related to design were scarcely found and utilized, and the methods of their creation, especially the designers of their creation, have not been systematically studied yet. With the gradual deepening of the research on the style of Lei family and architectural drawings, the above-mentioned academic deficiency or blind spot has been expected to promptly get a fundamental breakthrough. In fact, since the beginning of the Qing Dynasty, Lei developed art and applied to Beijing. The style of the Lei family has continued to serve for eight generations in the Qing Dynasty’s royal architectural project, and has long served and led the Phoebe and style houses. They are both excellent architects, At the same time is also related to the decoration of skilled superb designers and contractors.