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近日看到王真理的几幅水墨写意人物画,为之一振。他的画笔墨淋漓酣畅,形象生动传神,并且洋溢着活泼清爽的朝气。那幅仕女画《赏梅图》用笔简约洗练,线条活泼生动;用墨淋漓痛快,墨色对比鲜明而不跳脱,清润而不浮薄,变化丰富而不冗杂;设色匀润而不腻,鲜活而不妖艳。仕女身后以墨梅相衬,墨韵清淡舒爽,用笔恣肆奔放而交错有致,梅花的清雅潇洒与仕女的宁静妩媚形成了鲜明的对比。画面通过诸多因素的和谐处理,把一位青春少女的优美与恬静刻画得惟妙惟肖。而另一幅古典人物画《棋山柯烂传说》,表现手法与前则又有所不
Recently, I saw a few portraits of Wang Zhenli’s ink and wash paintings. His brush dripping hearty, lively image vivid, and filled with lively fresh vitality. That painting of the ladies, “enjoy plum figure” simple with a pen to wash, lively and vivid lines; with ink dripping painter, contrasting contrast without jumping off, moist and not thin, rich and not rich change; Fresh and not flirtatious. Beauty behind Mei Meimei, ink rhyme light and comfortable, uninhibited with pen unrestrained staggering, plum elegance and graceful calm and charming ladies in sharp contrast. The picture through the harmony of many factors, the graceful and quiet description of a young girl vivid. The other classical figure painting “Chek Shan Ke Lan legend,” performance techniques and before it is not