在《W.H.先生画像》中,王尔德从同性爱的角度对莎士比亚的十四行诗进行了解读,把其中的爱情归属为古希腊哲学家热烈赞美的“爱恋男童”爱情模式,隐秘地为自己的同性爱进行了辩解。事实上,王尔德这种做法是把古希腊时期、文艺复兴时期和维多利亚时期三个迥然不同的时代并置,用十九世纪末的性观念、评价体系来定位柏拉图和莎士比亚的同性爱,是一种文化空间的错位。 In “The Portrait of Mr. WH”, Wilde interprets Shakespeare’s sonnet from the perspective of same sex, and regards the love as the “love boy” love mode which is praised warmly by the ancient Greek philosophers. Excuse me for my same sex. In fact, Wilde’s approach was to juxtapose three very different times in ancient Greece, the Renaissance and the Victorian era, using the sexual attitudes and evaluation system of the late nineteenth century to locate the same-sex love between Plato and Shakespeare Dislocation of cultural space.