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本文关切于曾与“岭南画派”展开激烈艺术论争的“广东国画研究会”中为数不少兼擅篆刻的会员群体,对其篆刻因缘进行梳理和考察,从而引申出这种篆刻因缘和与传统打交道的艺术常态对艺术家形成恪守传统的情结、崇尚古法的艺术视角的重大影响,并述及篆刻与中国画的关系。
This article is concerned with the fact that a large number of member groups who are both good at carving and engraving in the “Guangdong National Painting Research Society” who have had heated discussions with the “Lingnan School of Painting” Seal carving fate and the traditional art of dealing with the traditional form of the artist to abide by the traditional complex, advocating the ancient art of the artistic perspective of the great influence, and that seal cutting and the relationship between Chinese painting.