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随着人类的审美活动嵌入经济社会,美学的批判视野已经失效,浓重的隔世之感显现出传统美学与当代消费社会的审美经验及艺术现象的日渐疏离。美学作为现代理论体系的一种乌托邦建构,在以技术生存为内核的现代生活面前却陷入了无力而苍白的尴尬处境。然而在厘清传统理论与社会现实不适的原因之后,面对解分化的社会现实,致力于研究美学理论的转型即建立新的理论秩序的问题则应当引发我们更加深重的思考。
With the human’s aesthetic activities embedded in the economy and society, the critical field of vision of aesthetics has lapsed. The heavy sense of seclusion shows the gradual estrangement of the aesthetic experience and the aesthetic phenomena of contemporary consumer society. As a kind of utopian construction of the modern theoretical system, aesthetics is caught up in a powerless and pale embarrassed situation in the face of the modern life whose technological existence is the core. However, after clarifying the reasons for the dissatisfaction between the traditional theory and social reality, we should think more deeply about the social reality of de-differentiation and the study on the transformation of aesthetics theory, that is, the establishment of a new theoretical order.