异军突起苏联新闻摄影是多民族的,摄影记者不可避免地在作品中表现出民族特征。从60年代后5年起,苏联新闻摄影中立陶宛学派异军突起,以自己独特的鲜明风格与其它学派相区别,赢得世界摄坛的关注,引来各国摄影杂志接二连三的介绍和评论。那时的年轻摄影爱好者——卡乌纳斯基摄影俱乐部的成员苏特斯库,昆丘斯及其同事们都表现了创作的新观念,把他们共和国普通人的日常生活——劳动、休息、农村中的劳作纪录在照片上,创作了本民族人民的肖像。他们的作品被人们誉为抒情报道摄影,或者艺术新闻摄影。 Sudden emergence of the Soviet Union news photography is multi-ethnic, photojournalists inevitably show in the works of ethnic characteristics. From the latter five years of the 1960s, the Lithuanian school of Soviet Union photojournalism emerged in a radically new light. It distinguished itself from other schools in its distinctive distinctive style and won the attention of the world’s photogenic forums. It led to the introduction and commentary of successive photographic magazines in various countries. Young photographers at that time, members of the Kasunaski Photography Club, Suttscu, Quinuchs and their colleagues, showed new ideas of creation that took the daily life of ordinary people in their Republic - labor, Rest, work records in rural areas In the photo, created a portrait of the people of this nation. Their work is hailed as lyrical photography, or art news photography.