如果我们承认诗歌的词句只有加以朗读才有意义,承认诗歌的词句是一种陌生的、难以进入的“自然”(nature)(而不是一种熟悉的工具),像雕塑或绘画的感性那样既明显又不透明,(意义在这个“自然”中得到理解,自身也变成自然,因而与其说它是说不出口来的,不如说是显示出来的),那么就承认,诗歌的词句需要某种阅读方式。读者要结合诗人所作的努力,使词句不再具有那种熟悉的而又不被人注意的工具性质,恢复词句的作为物而非符号的那种不寻常面貌和表达能力。因此诗歌必须高声朗读,使它的声音远远传开,打动人心。像在内心里说话那样的内心阅读够吗?如果内心阅读具有内心语言的原动性(这种 If we admit that poetry is meaningful only if it is read aloud, it is acknowledged that the verse of poetry is a strange, inaccessible “nature,” not a familiar tool, as the sensuality of sculpture or painting is Obviously, opaque, (the meaning is understood in this “nature,” it becomes natural in its own right, so it is not so much to speak as it is revealed), then admit that the verse of poetry needs something Way of reading The reader, in conjunction with the efforts of the poet, should no longer have the familiar, unattractive, instrumental nature of the words, the unusual appearance and expression of the restored words as objects, not symbols. Therefore, poetry must be read aloud, making its voice spread far and wide. Is it enough for you to read in your heart as if you were speaking in your heart?