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不同的时代造就了不同的审美观,造就了符合人们精神需要的艺术样式。意象和抽象的产生,正是人们的思想观念及审美意识发生变化的结果。人们不再追求绘画的形式,而追求画面中的心灵感应和思想共鸣。抽象相对意象而言,被广泛的为人所知,而意象却似乎被人所忽略了。意象与抽象是彼此相容的,意象中有抽象,抽象中有着意象的存在。它们究竟是一个何种关系,很值得从美学理论和美术实践两个层次来探讨。
Different times have created different aesthetic values and created artistic styles that meet the needs of people’s spiritual needs. The emergence of images and abstraction is precisely the result of changes in people’s ideology and aesthetic awareness. People are no longer pursuing the form of painting, but the pursuit of telepathy and thought resonance in the picture. Abstract relative imagery, is widely known, but the image seems to have been overlooked. Images and abstractions are compatible with each other, there are abstractions in images, and the existence of images in abstractions. What kind of relationship they are, it is worth to explore the two levels of aesthetic theory and art practice.