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作为沉思性的福楼拜研究,让-保罗·萨特的鸿篇巨制《家庭白痴》在当代批评之林中已经开始显现出其巨大的身影了。每当一卷问世,它总是唤起更多的批判性问题,以及对更多批评的前提提出挑战。
As a pensive Flaubert’s study, Jean-Paul Sartre’s grandiose “family idiot” has begun to show its tremendous presence in contemporary critical forestry. Whenever a roll came out, it always aroused more critical issues and challenged the premise of more criticism.