由朱万芳、方山两位先生编著的《素描》(西南师范大学出版社,1988、5)一书,是作为美术本专科学生及美术自考、函授生而编写的教材,全书较为系统全面地介绍了素描的特征及训练方法,具有较强的实用性。但是,作者在“素描”一词的概念问题上引发了一些异议,本文借题发挥,通过对“素描”一词的辩析和中国画与西画的比较以及由此引起的一些文化意义上的思考,盼与各位同仁共同探讨。 The book “Sketch” (Southwest Normal University Press, 1988,5), edited by Zhu Wanfang and Fang Shan, is a textbook written by fine art students and fine art students who study in the art and correspondence students. The book is relatively systematic and comprehensive Introduced the characteristics of the sketch and training methods, with strong practicality. However, the author raised some objections on the concept of “sketch”. This article borrows the theme to play. Through the analysis of the word “sketch” and the comparison between Chinese painting and western painting and some cultural considerations, With my colleagues to discuss.