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拜厄特的小说《占有》中包含了丰富的视觉艺术元素。拜厄特借鉴了绘画,尤其是印象主义绘画理论与表现手法,运用“色块”来观察人物与场景,描绘主观视像并诉诸整体视觉效果,充分发掘色彩在语言文本中的潜力及其象征意义。另一方面,她运用绘画中对光、物质光学属性与颜色之间的关系的探索成果,描写不同光线下色彩的变换,并进行博物学式的色彩细分。小说通过视觉意象的对比,藉由维柯的《新科学》进入古今问题的思索,通过拉斐尔前派绘画等隐微却直观地表达对现代理论尤其是女性主义的质疑。
Byatt’s novel Possession contains a wealth of visual arts elements. Byatt draws on the theory of painting, especially the impressionist theory of painting and expression techniques, using “color blocks” to observe people and scenes, depicting the subjective video and resort to the overall visual effects, to fully tap the potential of color in language text And its symbolism. On the other hand, she uses the exploration of the relationship between light and the properties of matter and the color in paintings to describe the transformation of colors under different light conditions and carry out a color-based subdivision of the natural history. By contrasting the visual images, the novel introspects the modern theory especially the feminism through Vico’s “New Science” thinking of entering the ancient and modern issues and through the subtle but intuitive expression of the pre-Raphaelite paintings.