在中国陶瓷史上,清晚期青花瓷一般很少有人提及。其造型、色调、纹饰、品种以及制作工艺等诸方面,虽然不能与康熙、雍正及乾隆时期相比,但是落日余晖也灿烂。这个时期的产品基本上囊括了晚清以前所有的传统器型,有仿古亦有创新。尤其是光绪仿康熙、乾隆青花瓷不可小觑。豆青地托粉青花狮球纹兽耳盘口瓶豆青地托粉青花狮球纹兽耳盘口瓶,高44厘米,口径15.5厘米,底径17.5厘米。盘口、直颈、斜肩、长弧腹、圈足。颈部对称贴塑兽耳一对。通体施豆青釉,釉水清澈莹润,青花发色蓝黑沉稳,器身绘狮球纹,4只狮子惟妙惟肖。采用了托粉工艺。即绘青花前,以粉白托底, In the history of Chinese ceramics, blue and white porcelain in the late Qing Dynasty rarely mentioned. Its shape, tone, decoration, variety and production technology and other aspects, although not with the Kangxi, Yongzheng and Qianlong period, but also the brilliant sunset. The products of this period basically covered all the traditional models before the late Qing dynasty, as well as antique and innovative ones. In particular, emperor Kangxi Kangxi, Qianlong blue and white porcelain should not be overlooked. Peasants care of pink blue and white lioness ball pattern beast pterygium mouth of the bottle of green pendulous blue and white lioness beast ear shell mouth bottle, 44 cm high, diameter 15.5 cm, diameter 17.5 cm. Handicap, straight neck, oblique shoulders, long arc belly, circle foot. Symmetrical neck plaster beard pair. Tong Shi Shi green glaze, glazed water clear and bright, blue and white bluish black calm, body painted lion ball pattern, four lions vivid. Using the powdered process. That painted blue and white, with pink white bottom,