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上世纪六十年代后期,客观的形势,使我醒悟,找到了我能终身学习和工作的事,那就是中国画。三十余年来,历尽艰辛,略有感受: 我原攻花鸟画,1978年改革开放后,我认为国家将富强,人民将幸福,于是改为专攻牡丹画,因为牡丹花正如周恩来总理在1959年于洛阳指出:“牡丹花是我国的国花,她雍容华贵,富丽堂皇,是我们中华民族兴旺发达、美好幸福的象征。”我是先学工笔画,继画没骨法,经向西安画院国画系陈室林教授请教,他认为在我的牡丹画中已有常州派恽南田的影子,于是我长期宗没骨法,经数十年的探索,创新出我自己的细笔点染法。自
The objective situation in the late sixties of last century made me wake up and found something that I can study and work for for life. That is Chinese painting. After thirty years of reform and opening up, I think the country will become prosperous and the people will be happy. So I changed to specializing in peony painting because Peonies just like Premier Zhou Enlai in 1959 Years in Luoyang pointed out: “Peony flower is our national flower, her elegant, magnificent, is a symbol of our prosperity, happiness and beauty of the Chinese nation.” I was the first school strokes, following the painting no bone method, Professor Chen Zhaolin advice, he thinks in my peony painting has Changzhou sent Nantian shadow, so my long absence of bone method, after decades of exploration, innovation out of my own pen dyeing method. from