常规电影通常是运动的,包括故事的发展、人物的动作,是对于人物、事物随时间变化的一种刻画、一种延展。但杨蕊的纪录片《翻山》是一部反运动的、相对静止的电影,这在某种程度上是反电影规律的。所以人们总是把“中国实验纪录片新锐导演”这个称呼和年轻的杨蕊联系起来。对此,杨蕊也不反对。 Conventional films are usually sports, including the development of the story, the movement of characters, is a portrayal of people, things over time, an extension. However, Yang Rui’s documentary, “Overcoming the Mountains,” is a counter-movement, relatively static film, which is to some extent anti-film law. Therefore, people always associate the title of “cutting-edge director of Chinese experimental documentary” with young Yang Rui. In this regard, Yang Rui nor objection.