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磨合了这么久,我对笔法和处理画面的技巧掌握不少。笔墨的厚、生动、坚硬、薄、简等特征。焦墨山水由来已久,这个方法在唐代以前就出现了,那个时候的画家们很多都讲究笔,重墨的用法不太注重,绘画的轮廓大多以焦墨来表现;元朝时期的画家们最注重的是笔墨,比如王蒙的画就非常的注重这一点;明、清两代的画家陈邃、石谿、罗满峰等都是以焦墨来作画;近代,黄宾虹也是用焦墨画小幅山水。焦墨山水画它属于黑白绘画。它笔法的多变,墨色的变化丰富。独立于水墨和彩色之间,别具一格的艺术魅力。
Running for so long, I have a lot of mastery of the techniques of writing and handling of pictures. Pen and ink thick, vivid, hard, thin, Jane and other features. This method has existed for a long time before the Tang Dynasty. Many painters at that time pay attention to the pen. The emphasis on the usage of heavy ink is not so important. The outline of the painting is mostly represented by the coke ink. The Yuan Dynasty painters The most important thing is that ink and brush, such as Wang Meng’s paintings, pay more attention to this point. In the Ming and Qing dynasties, painters Chen Sui, Shi Xi and Luo Man Feng all paint with coke ink. In modern times, Huang Binhong also used small picturesque landscapes of coke ink. Coke ink landscape painting it belongs to black and white painting. It is changing brushwork, ink color change is rich. Independent of ink and color, unique artistic charm.