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《水調歌頭》是劉辰翁《須溪詞》中使用最多的詞調,共有二十五首。從詞調角度對這二十五首詞作探討,無疑能够幫助我們更好地認識瞭解劉辰翁詞作的特點。將這二十五首詞與《詞譜》、《詞律》以及前人同調作品對比分析,發現劉辰翁《水調歌頭》的體式特點爲:在句式上有整齊化的傾向,多用律式句,在用韻上受詩韻影響並多用聲色洪亮的韻部;整個詞調具有明顯的詩化特徵,並在表情達意上呈現和暢、遒上的聲情特點。《水調歌頭》這一詞調在劉辰翁筆下呈現出這些一特點,既是詞的歷史發展趨勢所致,也是劉辰翁‘以詩文爲詞’、崇尚豪放詞風的詞學觀念體現。
“Shuidiaogetou” is the most frequently used word in Liu Chen-weng’s “Cautionary Words”, for a total of 25 songs. Studying these twenty-five words from the point of view of tone can undoubtedly help us better understand the characteristics of Liu Chen Weng’s poems. Comparing these twenty-five words with “Ci-spectrum”, “Ci-law” and their predecessors, we find that Liu Chen-weng’s “Shuidiaogetou” is characterized by the following tendencies: Sentences are influenced by the rhyme and influenced by rhyme, and the rhyme is loud and vivid. The whole tone has obvious poetic features, and the expression of emotion is smooth and graceful. The expression of “Shuidiaogetou” is a feature of Liu Chen-wen, which is not only caused by the historical development of the word, but also by Liu Chen’eng, which is based on poetry and prose.