“诗意地栖居”与中国诗歌意境有相似之处。中国诗歌强调顿悟,王夫之引用佛家用语“现量”.强调情景相融,旨在说主体与客体、心与物之间的审美是一种直觉。海氏强调的这种认识不是主客体间的对立,而是相融,是天,地,人,神,在世界之中,通达到物性的自身道路,以诗意的方式展开。海氏思想与中国的顿悟方式,不约而同。 “Poetic dwelling place ” has the similarities with the Chinese poetic conception. Chinese poetry emphasizes epiphany, and Wang Fuzhi refers to the Buddhist terms “present amount ”, emphasizing the blending of scenes and aims to say that the aesthetic between the subject and object, the heart and the object is an intuition. Hei stressed that this understanding is not the opposition between the subject and the object, but the blending, is heaven, earth, man, God, in the world, to reach their own physical way, with poetic way. Hai’s thinking and China’s epiphany, invariably.