“狂欢化”是流行于20世纪的一个重要理论术语,也是使得文学文本呈现张力的一种重要艺术手段。本文试图通过异化色彩的冷色“微笑”的狂欢,不同特色、不同风格的语言在文本中的众声喧哗,高粱与酒的血色隐喻和暴力消解,以及多元共通、对话开放的“复调”模式等方面的解读,从而对莫言《红高粱》中“狂欢化”进行新的界定与阐释。 Carnival is an important theoretical term prevailing in the 20th century. It is also an important artistic method that makes the literary text appear tension. This article tries to find out how to use the metaphors of the metaphors and violence of sorghum and wine, as well as the multiple and common “open” dialogues through alienated colors, “smile” carnival, different features and different styles of language in the text, Tone “mode and other aspects of the interpretation of Mo Yan” Red Sorghum “in the” Carnival "for a new definition and interpretation.