春秋时期的观诗风尚反映了春秋贵族内在的风雅追求,两汉虽然失去了列国朝聘的基础,但“遇事赋诗”的传统继续保持,“陈诗”向“赋诗”发展,并且在审美的追逐过程中,声律以其特殊的情感表现优势而得以总结和提出并迅速发展,在初唐君臣唱和中达到了历史的顶峰,声律的理论与实践都逐渐成熟,从而在“诗可以观”的考量中,最终实现了律诗的定型。 The style of poems in the Spring and Autumn Period reflected the pursuit of elegance in the Spring and Autumn aristocrats. Although the two Han dynasties lost their foundation, the tradition of “dealing with misfortune and poetry” continued to be preserved. Poems by Chen Shi and Xiang Fu In the process of aesthetic pursuit, the sound law is summed up and developed rapidly with its special emotion expression superiority. In the early Tang dynasty, the monarch reached the peak of history, and the theory and practice of sound law gradually Mature, so that in the “poetry can be” considerations, and ultimately the finalization of the style of law.