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创作自述1993年,我创作的两幅油画《红色机器》之一、之二,无论在观念上或是语言上,都超出了一般历史画的领域。我将这种画称为陈列性的历史画,所谓陈列就像历史博物馆陈列的展品那样,将历史实物展示给大家看,由实物联系历史,我试图用陈列的实物感贯通符号的上下文关系,将原先被掩盖的历史情境转换成心照不宜的明示。这样的历史画是介于历史事件与静物之间的,浓缩在物上的历史烙印提供了时代符号转换的契机,实存的意义与超现实的感受拢在同一
Creation of a Statement In 1993, one of the two red oil paintings I created, the second of which was beyond the scope of general historical paintings, both in concept and in language. I refer to this painting as a historical exhibition on display. The so-called exhibition resembles the exhibits on display in the Museum of History and shows the historical materialism for everyone to see. From the historical contacts in kind, I try to use the display of the physical sense to pass through the symbolic contextual relationships, The previously hidden historical context into an unacceptable light of the express. Such historical paintings are between historical events and still life. The historical imprint of enrichment provides an opportunity to convert the symbols of the times. The meaning of the real existence is in the same position as the surreal feeling