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踏入20世纪,西方雕塑家在进行创作时,在对雕塑材料运用的观念和技法上,产生了重大的转变,过去对雕塑材料的应用,不论是石、木或金属等,都被视作雕塑造型上一种“重现”的手段。自从罗丹(Aususte Rodin)对“泥性”的掌握,使“泥味”结合在雕塑创作之中开始,雕塑家把雕塑材料本身之美放在雕塑创作一个重要的位置上。①由此,材料雕塑伴随着其它现代艺术类型的发展逐渐应运而生,并成为重要的现代艺术形式之一。在现代木雕创作过程中,艺术家一直试图从各个角度来重新阐释这种材质的特殊魅力和性格,而将木材特有的加工方式转化为雕塑创
In the 20th century, Western sculptors made great changes in their concepts and techniques of using sculpture materials. In the past, the application of sculpture materials, whether stone, wood or metal, was regarded as Sculpture on the kind of “reproduce ” means. Since Aususte Rodin’s mastery of “muddyness” and the combination of “muddy taste” with sculpture creation, sculptors have placed the beauty of the sculpture material in an important position in sculpture creation. As a result, material sculptures came into being along with the development of other types of modern art and became one of the important forms of modern art. In the process of modern wood carving, the artist has been trying to reinterpret the special charm and character of this material from all angles, and transform the unique processing method of wood into sculpture