《长安城里水车巷》这部作品,以艺术化的市井语言塑造了一系列富有个性的人物形象,展现了市井小巷的草根阶层在一个特定时代的生活、命运和精神世界,同时在作品中还原了有滋有味的老西安原生态的市井文化。这一市井语言作为本色化的话语方式,深刻体现了小说作为语言艺术追求话语方式陌生化的美学特征。 “Chang’an City Waterwheel Lane” This work, with a artistic marketplace language to create a series of personalized character image, showing the city’s grassroots grass-roots level in a particular era of life, destiny and spiritual world, at the same time Works restore the rich flavor of the old Xi’an original market culture. As a native discourse, this well-written language profoundly embodies the aesthetic characteristics of novels defamiliar with the pursuit of discourse as a language art.