黄惇先生编著的《中国印论类编》无论对于篆刻创作还是印学史论的研究都是一件大事。此书较多借鉴了古代文论资料的编纂方法,例如郭绍虞《中国历代文论选》的研究方法。我在《中国印论类编》序中写道:“本编不仅是资料汇编,也体现了黄惇对印章审美的一种基本文化立场,其指引治学门径的潜在意义,更不可低估。” Mr. Huang Xun edited “China’s printed edition,” whether for the seal cutting or Indian history of the study is a major event. This book draws on the compilation of ancient literary theory, for example, Guo Shaoyu “Chinese calendar literary election” research methods. I wrote in the preface of “Series of Chinese Annotations”: “This book is not only a compilation of materials, but also embodies the basic cultural standpoint of Huangpi’s aesthetic appreciation of the stamps. It can not underestimate the potential significance of guiding the path of scholarship. ”