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李流芳(1575—1629),上海嘉定人,字茂宰、又字长蘅,号檀园、香海、泡庵。晚称六浮道人、檀园老人、慎娱居士、醉道人等,原籍安徽歙县。~1他以西湖周边山水为蓝本,创作了许多关于西湖的画作、诗文和画跋。面对西湖四季变幻不断的景物,李流芳是如何用自己的画笔来描绘的?他在自己诸多画跋中又谈了对西湖景致怎样的感受?由于晚明宦官专权,皇帝昏庸,政治腐败,朝臣趋利避害。士人们依靠科举制度晋身上层社会的机会很小,只好把自己的兴
Li Liufang (1575-1629), Shanghai Jiading people, word Mao Zai, and the word Chang 蘅, No. Tan Park, Hong Kong, Buban Temple. Evening said six Floating Road, Tan elderly elderly people, Shen Yu residents, drunk Taoist, origin Anhui Pixian. ~ 1 Based on the landscape around the West Lake, he created many paintings, poems and paintings on the West Lake. In the face of the ever-changing landscape of the seasons in the West Lake, how Li Li-fang painted his brush? In his many postscript he talked about how he felt about the West Lake scenery. Due to the late eunuchs eunuchs, imperialism, political corruption, Chen Min profit and avoid harm. The chances of people relying on the imperial examination system to reach the upper class are very small and they have to rejuvenate themselves