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对比的差异谓之反差。其在戏剧艺术中的应用较多,作用显著。诸如美与丑、真与假、黑与白、悲与喜、冷与热、柔与刚乃至浓淡、疏密、动静、消长等等从内容到形式的各类对比因素所促成的差异,都能以它特有的方式通过舞台或屏幕所能展现的视觉形态显示艺术功能,强化审美意向。在视觉艺术中对形象的感知是较为直接的。美人儿和丑八怪一望便知。观众必须被动地接受固定、划一的艺术符号或信息,别无选择。在这里,美与丑的反差由于视象化而被认定,不会任人随意改变。因此,可以说视觉艺术中反差的形态、格局与程度都在审美意向中趋于稳定。
Contrast contrast that contrast. It has more applications and significant effects in drama art. The differences caused by various contrasting factors from content to form, such as beauty and ugliness, true and false, black and white, sadness and joy, cold and heat, softness and even darkness, density, movement, In its unique way through the stage or the screen can show the visual form of artistic functions to display and enhance the aesthetic intentions. Perception of the image in visual art is more direct. Beauty children and ugly look a little know. Audiences must passively accept fixed, uniform art symbols or messages, with no choice. Here, the contrast between beauty and ugliness is determined by the visualization, and no one can change freely. Therefore, it can be said that the form, pattern and degree of contrast in visual art all tend to be stable in the aesthetic intention.