“形神说”见于我国古代画论,是我国绘画理论中深具影响、自成系统的专门理论。虽然艺术的门类众多,反映社会生活的方式和理论研究的对象也迥然有别,但作为艺术理论的研究,绘画理论与文学理论也不无密切关系。纵观历代文论,我们不难发见,在文学理论中吸收绘画“形神说”理论的现象极为普遍。以 “Shape God said that” seen in ancient Chinese painting theory, is our profound influence in the theory of painting, self-contained system of specialized theory. Although there are many kinds of art and the ways of reflecting social life and the objects of theoretical research are quite different, as a research of art theory, there is no close relationship between painting theory and literary theory. Throughout the literary theory of the past, we can see that it is very common to absorb the theory of “God-shaped” theory in literary theory. To