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挪威作曲家格里格为易卜生的戏剧《培尔·金特》所创作的配乐《培尔·金特组曲》,在戏剧的衬托下显得别具一格。一个荒诞、贪婪、无耻、狂傲的小人物,在格里格笔下,变成了一个穷极一生最后返璞归真的人物形象。如果说易卜生对于培尔·金特是出于性恶的本能,那么我们宁愿相信,格里格所赋予的培尔,是来自人内心深处的善。对于人性的探寻,易卜生用诙谐和无厘头的戏剧手法,将培尔·金特塑造成了一个丑陋世俗的形象。而格里格却用尽他的温和,赋予了这个小人物真诚和善良的人性光辉。这种戏剧和音乐的反差令人匪夷所思,却又极其微妙。
The Norwegian composer Grieg plays the “Per Ginger Suite” for Ibsen’s play “Per Ginger”, which is quite distinctive from the drama. An absurd, greedy, shameless, arrogant little man, Grieg wrote, turned into a poignant character, the last back to basics. If Ibsen is instinctively absurd for Per Gild, then we would rather believe that Perle was granted by Grieg from the good of human hearts. With regard to human nature, Ibsen portrayed the formation of a ugly secular image with witty and nonsense dramas. Grieg, on the other hand, tried his best to give this little man a sincere and kind humanity glory. The contrast between drama and music is incredible, but extremely subtle.