本文认为,影片《海洋》以近乎静观的方式真实地呈现了海洋生物的关系性存在,意即海洋的“自美”:在群居的存在方式中,海洋生物无论大小,各居其位,自然地演绎着生命的长调。与此同时,在解说平静的语调之下,显现出制作者的人文情怀:既有对于海洋生物的被破坏、被灭绝的观照,又不乏对整个地球生态现状的种种担忧。而这些则很好地引发人们对自然作形而上的思索。 This paper argues that the film “Ocean” presents the relational existence of marine organisms in a nearly static way, which means the “self-beauty” of the ocean: in the way of social existence, , Naturally interpret the long-term life. At the same time, under the calm tone of narration, the artist’s human feelings are revealed: both the destroyed and the extinct views of the marine life are lacking, and there are no worries about the ecological status of the entire earth. And these are very good people triggering the nature of metaphysical thinking.