看看这两年的电视,不会不注意到这个局面:现在最热闹最吸引人最轰轰烈烈的电视剧多是“历史题材”,从《红楼梦》到《水浒》,从《努尔哈赤》到《包公》,而当今中国人最关心也与自身最密切相关的“改革题材”却受了冷落。自《乔厂长上任记》,《新闻启示录》、《新星》之后,几乎再没出现一举打响之作,虽然前些日子北京电视台还热心搞了一次“改革题材电视剧展播”,但在观众中仍激不起什么反响。其实,或许这倒正是二十世纪八十年代中国人面对的现实:尴尬。我们的改革是没有先例的,没有规范可循。过去的一套价值观念无法适应全新的事实:北京的“城里人”,今天得罪不起安徽的小保姆;江浙的裁缝挑子赚足了外省人的钱;深圳的高楼大厦飞速拔起又倾刻停建;行迹可疑的“倒爷”带来了市场繁荣也带来了高物价……有谁能说,这里谁对,谁错?该歌颂什么?反对什么,应该说,没人能开得出这些药方,我们也不能期望谁能开出这些药方。 Look at these two years of television, will not fail to notice this situation: Now the most popular and most attractive and most dramatic TV series mostly “historical themes”, from “Dream of Red Mansions” to “Water Margin” from “Nurhaci” to “Bao Gong” . However, the “reform theme” that the Chinese people are most concerned about and most closely related to has been neglected. Since “Joe’s appointment as director”, “Press Apocalypse” and “new star”, there has been almost no one-off sounding action. Although Beijing Television Station also enthusiastically made a “reform theme television broadcast” in the past few days, In the still can not afford any response. In fact, perhaps this is precisely the reality that the Chinese people faced in the 1980s: embarrassment. Our reform is unprecedented and there is no standard to follow. The past set of values ​​can not adapt to a completely new fact: Beijing’s “city people” can not afford to offend Anhui’s little nanny today; the tailors of Jiangsu and Zhejiang earn the money of other provinces; the high-rise buildings in Shenzhen are rapidly uprooted Stop building; suspicious “pour God” has brought the market boom also brought high prices ... Who can say, here who, who wrong? What praise? What to oppose, it should be said that no one can drive Out of these prescriptions, we can not expect who can come out with these prescriptions.