在长期的社会实践中,“和”被赋予了丰富的文化内涵。作为美学范畴的“和”它强调事物的差异性、多样性,主张包容,反对排异:强调事物在发展过程中要求新、求变,反对趋同:强调要用理性的、中庸的态度看待世间万物,反对极端,等等。透过“和”的美学内涵审视“流行书风”这一文化现象,会对它的发生、现状、走向以及自身存在的问题等,有一个客观的、理性的认识,有利于“双百方针”的贯彻和书法艺术的繁荣。 In the long-term social practice, “harmony” has been given rich cultural connotation. As a category of aesthetics, “harmony” emphasizes differences and diversity of things, advocates tolerance and rejection of exclusion: emphasizes that things require newness, change and opposition in the process of development: stressing that the world should be viewed in a rational and moderation way Everything, opposition to extremes, and so on. Examining the cultural phenomenon of “popular style of writing” through the aesthetic connotation of “harmony” will have an objective and rational understanding of its occurrence, current situation, trend and problems of its own existence and will be beneficial to the “double hundred principles ”The implementation and prosperity of calligraphy.