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胡尹强的长篇新作《不成样子》,故事叙述跌宕起伏、引人入胜;人物形象有血有肉的、性格复杂、富有立体感;艺术结构以“我”(柳萌)为贯穿始终的叙述视角,采用两条线索交错行进的方式,将两类欲望故事编织得天衣无缝。但其艺术缺失有三点值得商榷:人物命运与性格的相似性,主人公在文革时期所具有的清醒的理性,以及作家晚年艺术想象力的发散等。
Hu Yinqiang’s long novel, “Indiscriminate,” is an ups and downs of the story narrative, fascinating; figure flesh and blood, complex personality, full of three-dimensional sense of art structure to “I” (Liu Meng) for the consistent narrative perspective, the use of two Clues to the staggered way of marching, the two types of desire story weave perfectly. However, its lack of art is worth discussing: the similarities and differences between the character’s fate and character, the sober rational of the protagonist during the Cultural Revolution, and the divergence of artistic imagination of writers in their later years.