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从“五四”时期到当下,中国新诗已经走过了近百年的光辉历程,也取得了许多骄人的成就。然而,社会大环境带来的诸多颠簸以及诗歌体裁本身的局限性,大大制约和束缚了新诗的成长和进步,这也几度让诗歌史的撰写陷入困囿状态。因此,“重写诗歌史”的确迫在眉睫。只是长久以来,编写者已经形成了写史的程式化心理,研究视角固定、书写模式僵硬、使用材料雷同且缺少学术活力,鲜有上乘之作。面对这一困境,写作者们应当树立起敏锐而强烈的问题意识,努力彰显个人化的创新精神,由此实现诗歌史写作的新发展和新突破。
From the “May 4th” period to the moment, the new Chinese poems have gone through the glorious course of nearly a hundred years and have made many remarkable achievements. However, many jolts caused by the social environment and the limitations of the poetry genre itself greatly restrict and constrain the growth and progress of the new poetry, which has, for several times, left the writing of poetic history in a predicament. Therefore, “rewriting the history of poetry” is indeed imminent. It is only for a long time that the writers have formed a stylized psychology of writing history, with a fixed research perspective, rigid writing modes, the same materials and lack of academic vitality. Faced with this dilemma, writers should establish a keen and strong sense of problems, strive to highlight the individualistic spirit of innovation, thus achieving new developments and new breakthroughs in the history of poetry writing.