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斯特拉文斯基是二十世纪上半叶西方最有影响的作曲家之一,他的作品涉猎广泛、风格多变,法国音乐家梅西安称他为“有一千零一种灵感的作曲家”。但在取得巨大艺术成就的同时,也存在着其缺点和局限性:比如作品远离生活、曲高和寡;过分强调理性控制、缺少必要的感性因素等。本文拟对其进行简单概括,并对其局限性形成的原因加以简单分析,最终得到一个简单的结论:那就是其艺术成就的局限性与其人格特征有着极为密切的关系。
Stravinsky was one of the most influential Western composers in the first half of the twentieth century. His work is extensive and varied in style. The French musician Messian calls him “one thousand and one inspirations Composer ”. However, while achieving great artistic achievements, there are also its shortcomings and limitations: such as works far from life, highbrow, overemphasis on rational control, the lack of the necessary emotional factors. This article intends to summarize it briefly, and analyze the reasons for its limitation. Finally, a simple conclusion is drawn: the limitation of artistic achievement is closely related to the personality traits.