《美术文献》是当代艺术家的阵地,前卫批评家的平台,先锋策展人的营垒。二十年来,数百位有资历或有潜力的艺术家在刊物上亮相,数十位批评家、策展人或艺术家主持过刊物的编辑。《美术文献》一直以不偏激也不平庸的姿态,采用“述而不作”的治史方法,推介正在被美术界关注的艺术现象,侧重于同文化现实直接挂钩的前卫艺术,为中国当代艺术立传。主持人的个人观点,通常隐藏在他的视野和他的选择背后,从而体现历史文献的中性品格。 “Art literature” is the position of contemporary artists, avant-garde critic’s platform, pioneer curator’s camp. For two decades, hundreds of qualified or potential artists have appeared in journals and dozens of critics, curators or artists have run editors of journals. “Fine Arts Literature” has always been to use the “rather than doing” method of history to promote the art phenomenon that is being watched by the art circles with emphasis on the avant-garde art that is directly linked to the reality of culture. Contemporary art biography. The host’s personal point of view, usually hidden behind his vision and his choice, reflects the neutral character of historical documents.