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宋玉及其作品历来是中国古代文学界争论的焦点,引起学者们的广泛关注,杨允先生便是其中的一位,她在《宋玉:文学思维与“色”“义”焦虑》中对宋玉所描写的女性形象进行了准确而深刻的角色定位,并提出了宋玉作品中所描绘的纵欲制情的三个境界,高度推崇了《登徒子好色赋》中章华大夫的“目欲其颜,心顾其义”的情之理念,对于作者宋玉及作品中的宋玉进行了深刻的辨析,表达了宋玉在“色”、“义”之间存在着深深的焦虑。总之,《焦虑》一文为宋玉研究开辟了新的途径,拥有永久的价值。
Song Yu and his works have always been the focus of controversy in ancient Chinese literary circles, arousing widespread concern of scholars, Mr. Yang Yun is one of them, she “Song Yu: literary thinking and ” In “Anxiety”, the female image described by Song Yu is accurately and profoundly positioned, and the three realms of sensual passion depicted in Song Yu’s works are put forward. Highly praised is the “Deng Xu Zi Fu Fu” The concept of love of Zhang Yuhua’s “Just want to look forward to his own face and care for his own meaning” makes a profound analysis of the author Song Yu and Song Yu in his work, expressing Song Yu’s “ ”There is a deep anxiety. In short, the article “Anxiety” opens up new avenues for Song Yu research and has permanent value.