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石刻艺术是人类遵循现实社会生活及精神面貌需求而产生的艺术形式,岣嵝石刻包涵着清初期宗教、民俗文化成份,用外在的造型艺术颂诵和表现其精神内诣,同时呈现人类自身存在的艺术天性。本文运用社会伦理、宗法、美学的规律,分析视觉感官语言与文脉传承,提炼清初期造物艺术特征。通过对岣嵝石刻艺术与宗教、民俗文化及当时人们对宗教精神的期望和需求作一番探讨,阐述造型、图像本身存在的意义,以及对当今设计艺术的启示,倡导东方地域艺术元素符号,以打造有中国精神特质和个性的造型设计艺术为契机。
The art of stone carving is an art form produced by human beings in accordance with the needs of social life and spiritual outlook. The stone carving embodies the religious and folk-custom elements of the early Qing Dynasty, recites and expresses its spiritual inner accomplishments with external plastic arts, and presents human beings themselves The existence of artistic nature. This article uses the laws of social ethics, patriarchal clan system, and aesthetics to analyze the visual sensory language and context heritage, and to refine the artistic characteristics of creation in the early Qing Dynasty. By discussing the art and religion, folk custom culture and the people’s expectation and demand of religion at that time, this article elaborates the meaning of shape and image itself, as well as the enlightenment to the contemporary design art, advocates the symbol of artistic element in the eastern region, To create a Chinese spirit of personality and personality design art as an opportunity.